Publication:
Development of flute works in Turkey from Turkish republic to present

dc.contributor.buuauthorŞenol, Ajda
dc.contributor.buuauthorŞENOL SAKİN, AJDA
dc.contributor.buuauthorDemirbatır, Erol
dc.contributor.buuauthorDEMİRBATIR, RASİM EROL
dc.contributor.departmentBursa Uludağ Üniversitesi/Eğitim Fakültesi/Müzik Eğitimi Anabilim Dalı.
dc.contributor.researcheridAAH-1426-2021
dc.contributor.researcheridABF-7081-2020
dc.contributor.researcheridJHS-6569-2023
dc.contributor.researcheridHKM-4998-2023
dc.date.accessioned2024-10-21T12:25:53Z
dc.date.available2024-10-21T12:25:53Z
dc.date.issued2012-01-01
dc.description.abstractProblem Statement: This study will giand briefly historical information of the development of Turkish flute repertoire from the Turkish Republic to the present Turkish flute works and their musical development and styles will be examined.Purpose of the Study: The purpose of the study is to mirroring the historical development process of Turkish flute repertoire from the beginning of Turkish Republic to present by analyzing important Turkish flute works.Method: Methods of this study are literature review, interview with composers and works analysis.Findings and Results: In Turkish Republic the first Turkish flute works was composed by talented young composers who were sent cultural centers of Europe for education and after they turn back to Turkey. Solo flute, flute-piano, flute and orchestral works were composed since Turkish Republic were found, also contemporary composers composed works for different groups like for flute-guitar-vibraphone-conga, pieces with accompaniment of electronic music. Necil Kazim Akses. s Sonata for Flute and Piano, composed in 1933, is composed of three interconnected sections. It has a modal effect rather than being tonal. Sayram Akdil. s one of the most performed flute chamber music piece Music for 3 Flutes and Piano was composed in 1981. Long flute sounds that enter in regular turns give the movement an unmetered folk song effect. The Mouldy Existence, composed in 1992 by Meliha Doguduyal, starts with a long flute solo in an improvised manner. There is no measurement in the atonal part. Deformed Reflections was composed by Mesruh Savas and he, thus, hopes to have shown the audience the modern unusual skills of the flute and where music stands today.Conclusions and Recommendations: According to the study results it was seen that at the beginning of Turkish flute repertoire composers aimed to place polyphonic music in Turkey and then different style flute music was composed. As an example contemporary composers used modern techniques and included electronic sounds.
dc.identifier.endpage185
dc.identifier.issn2146-8249
dc.identifier.issue1
dc.identifier.startpage173
dc.identifier.urihttps://hdl.handle.net/11452/46789
dc.identifier.wos000219067400012
dc.indexed.wosWOS.ESCI
dc.language.isoen
dc.publisherNesibe Aydin Education Inst
dc.relation.journalJournal Of Education And Future-egitim Ve Gelecek Dergisi
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.subjectFlute
dc.subjectTurkish flute repertoire
dc.subjectTurkish composers
dc.subjectPieces analyzing
dc.subjectSocial sciences
dc.subjectEducation & educational research
dc.titleDevelopment of flute works in Turkey from Turkish republic to present
dc.typeArticle
dspace.entity.typePublication
relation.isAuthorOfPublication80d0895a-5c6b-46bc-94fc-985ea46baf47
relation.isAuthorOfPublication9f877c97-4dc7-4305-aa3e-2e9d3f1c9e93
relation.isAuthorOfPublication.latestForDiscovery80d0895a-5c6b-46bc-94fc-985ea46baf47

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