Publication: Güzel sanatlar liselerinde koro eğitimi vermekte olan koro eğitimcilerinin alan yeterliklerine ilişkin bir değerlendirme
Abstract
Bu araştırmada güzel sanatlar liselerinde görev alan koro öğretmenlerinin alan yeterliklerinin ne düzeyde olduğunun tespit edilmesi amaçlanmıştır. Araştırmada nitel araştırma yöntemlerinden durum çalışması; örneklem grubunun belirlenmesinde ise amaçlı örneklem türlerinden maksimum çeşitlilik örneklemesi kullanılmıştır. Araştırmanın örneklem grubunu Türkiye’nin farklı bölgelerinde yer alan güzel sanatlar liselerinde görev yapan 11 koro eğitimcisi oluşturmaktadır. Araştırma verileri yarı yapılandırılmış görüşme tekniği ile toplanmıştır. Örneklem grubuna açık uçlu 8 sorudan oluşan görüşme formu ve 5 soruluk demografik bilgi formu uygulanmıştır. Görüşmeler sonucunda elde edilen verilerin analizinde içerik analizi tekniğinden yararlanılmıştır. Bu çalışmadan elde edilen bulgular doğrultusunda bazı katılımcıların kendilerini piyano hâkimiyeti, koro disiplini, koro-şef uyumu ve nefes-ses çalışmaları konusunda yeterli; bazı katılımcıların ise koro dersi hâkimiyetinde kısmen yeterli gördükleri belirlenmiştir. Araştırmadan elde edilen bulgular doğrultusunda katılımcıların koro dağarlarını yeterli buldukları, öğretmenler arası dağar paylaşımının ve sosyal ağların da söz konusu bu dağara katkı sağladığı belirlenmiştir. Koro öğretmenlerinin çoğunun kendilerini piyanoyu eşlik amacıyla kullanabilme becerisi, sahne hâkimiyeti, mesleki eğitimlere katılım ve eser hâkimiyeti açısından yetersiz; süreç yönetimi becerisi ve liderlik vasfı açısından ise yeterli buldukları tespit edilmiştir.
This study aimed to determine the extent of field competence of choir teachers working in Fine Arts High Schools. The case study, a qualitative research method, was employed in the research and purposeful sampling, specifically maximum variation sampling, was used in determining the sample group. The sample group of the research consists of 11 choir educators working in fine arts high schools in different regions of Turkey. Research data were collected through semi-structured interviews. An interview form consisting of 8 open-ended questions and a demographic information form with five questions were administered to the sample group. Content analysis technique was used in the analysis of the data obtained as a result of the interviews. According to the findings of this study, it was determined that some participants considered themselves competent in piano proficiency, choir discipline, choir-conductor harmony, and breath-sound studies; while others perceived themselves partially competent in choir lesson mastery. Based on the research results, participants found their choir colleagues competent, and the sharing of repertoire among teachers and social networks contributed to this competence. Most choir teachers were found to be lacking in competences in using the piano for accompaniment, stage mastery, participation in professional training, and repertoire mastery; however, they were considered competent in terms of process management skills and leadership qualities.
This study aimed to determine the extent of field competence of choir teachers working in Fine Arts High Schools. The case study, a qualitative research method, was employed in the research and purposeful sampling, specifically maximum variation sampling, was used in determining the sample group. The sample group of the research consists of 11 choir educators working in fine arts high schools in different regions of Turkey. Research data were collected through semi-structured interviews. An interview form consisting of 8 open-ended questions and a demographic information form with five questions were administered to the sample group. Content analysis technique was used in the analysis of the data obtained as a result of the interviews. According to the findings of this study, it was determined that some participants considered themselves competent in piano proficiency, choir discipline, choir-conductor harmony, and breath-sound studies; while others perceived themselves partially competent in choir lesson mastery. Based on the research results, participants found their choir colleagues competent, and the sharing of repertoire among teachers and social networks contributed to this competence. Most choir teachers were found to be lacking in competences in using the piano for accompaniment, stage mastery, participation in professional training, and repertoire mastery; however, they were considered competent in terms of process management skills and leadership qualities.
Description
Keywords
Alan yeterliği, Güzel sanatlar sisesi, Koro eğitimcisi, Koro eğitimi, Öğretmen yeterliği, Choir education, Choir educator, Fine arts high school, Field competence, Teacher competence
Citation
Collections
Metrikler